At this stage, Pete Cornish had removed all the preamps the the Hiwatts and the Alembic now served as the main preamp for the whole setup. David Gilmours Guitar Amps: Hiwatt DR103 100W Fender Twin Reverb Amps Yamaha RA-200 Leslie Amp Fender Twin Reverb II heads and 100-watt Marshall 4×. This setup was used on all tours from 1974-1981.Īfter using a slightly different rig in 19 mainly consisting of Fender and Mesa/Boogie amps and the Alembic was once again featured in David’s 1988- rigs. In the 70’s the Alembic served as the main preamp for David’s Leslie rotating speaker cabinets - later the Yamahas - which again where mixed with the signal from the Hiwatts. I tried to simulate his sound from his blues album Dog Party. Here are two typical Scott Henderson Patches. Hans Fuhrmann: 7.95 KB: : 1.0: 4.24: Blues: SCOTT HENDERSON BLUES PATCHES FOR GR2. In the clip I'm on neck/middle first and then switch. They placed an extra tube in the preamp section to give it a little more drive, lowered the impedance in the output and changed the capacitor in the bottom end to eliminate some of the lows. Reminds me very much of David Gilmour, if you use your neck singlecoil. The empathy of Gilmours and Waters lyrics helped my heart. The astonishingly high level of musical and visual performance kept the intention toward creativity in my mind. It acts as an EQ enhancing the lower sub frequencies. A: David Gilmours Live at Pompeii album and concert film really helped me remain nailed together. Modifications to the guitar include a shortened tremolo arm, internal shielding, and a small recessed switch that adds the neck pickup to any selected configuration. This is the guitar you are hearing on the classic Pink Floyd albums of the seventies and early eighties. Originally, the Alembic belonged to Waters and as an experiment Phil Taylor tried it in David’s rig. David’s most famous guitar is his black Strat.
Using preamps in addition to the Hiwatts and Leslies was nothing new as David had also incorporated HH Electronic IC-100 solid state bass amps on the 1971-72 tours. Some of these products might not be the exact gear that Gilmour himself used, but it will help you along the way to getting his sound. The F-2B is a stereo preamp with a 12AX7 tube in each section and controls for bass, treble mids and volume and a bright/normal switch. It balances the quality of gear with affordability to provide you with a definitive guide of our best recommendations to get that Pink Floyd sound yourself. The Alembic appeared in the late 60’s inspired by the cirquit on the Fender Dual Showman amps.